Saturday, 12 February 2011
On TWO shortlists!
The Jewel of St Petersburg is flashing its scarlet skirts in celebration.
What I love about meeting other writers is their boundless enthusiasm for their books, like mothers with precocious offspring, which meant the party in the President's Room buzzed with energy. When you get a host of writers, publishers, agents and media together - as well as trayfuls of champagne flutes - you get so much fizz your ears start popping. I think writers just don't get out enough!
I am impressed by the competition that Jewel has to face, a formidable line-up of talent, but I was particularly drawn to a book that for me stood out from the rest - titled Amazir and set in Morocco. It enchanted me. Okay, I admit it might be the gorgeous author, Tom Gamble, who did a bit of the enchanting, but I promise you he's one to watch.
Lunch with my agent afterwards at the V&A gave the celebration even more zip, though the subject of what my Next Book will be about raised its querulous head! But the day belonged to The Jewel of St Petersburg and we raised glasses to wish it success on March 7th when the winners will be announced.
Wednesday, 26 January 2011
Highlights & Lowlights

The highlight of this month - and a great start to 2011 - is that The Jewel of St Petersburg has been longlisted for the RNA's Historical Novel of the Year Award, as well as its prestigious Romantic Novel of the Year Award. The shortlist will be announced in the splendour of the RAF Club in Piccadilly, London on Feb 10th. So watch this space.
And the lowlights? Still struggling with the end of The White Pearl. Endings are tough. I have some theories about this but will save them for a later post, as when I get started on discussing the pitfalls that lie in wait for a writer there is a distinct danger that there is no off-button!
I was recently asked by one delightful but misguided reader if I would offer him some thoughts and insights about writing. No reader should invite an author to hold forth about their thoughts and insights unless they are prepared to sit up all night listening! Writers are consumed by their characters and their stories - it's the only way they can ever get to the end of a book - and though writers try to look and act like normal people, their heads are seething with another life and another place. They sit smiling at you and nodding in the right places but don't be fooled! They learn to be cunning, so that you do not guess that their minds are far away, battling with the blank page that awaits them like a nemesis from their subconscious.
Maybe I'll get to the end of my current book faster if I learn from the kitten. Whatever lurks in the underworld of my mind needs to get out - even if it comes out as strange barks.
Wednesday, 12 January 2011
New Year
The problem is that Work and Life have a nasty habit of getting in the way. Towards the end of 2010 Life got in the way big time, disrupting my schedules, so that instead of finishing The White Pearl by Christmas, I have yet again missed my deadline. Which makes me so cross I kick the cat. But now that Life is taking a backseat once more, I am up and running towards the finish of the book.
My publishers at Little,Brown UK and Berkley US have been angels, shifting publication and production dates to accommodate the delay in delivery. Nevertheless I still feel a heel about it. This throws up the temptation to take shortcuts, to reduce the number of scenes, to make them shorter, get to the point faster. Of course this kind of self-editing is no bad thing. It produces a better, pacier book. Altogether more focused. I advise all would-be novelists to practise writing a scene to a time limit because it's amazing what pressure can produce. A different part of the brain kicks in.
Finding the right balance is the difficult part, between thinking time and writing time, but my heroine, Connie, is giving me a quick rap on the knuckles. She's impatient to strut her stuff through Malaya and get out there on the bookshelves for all to see.
My other new year resolution? Not to be a slave to my characters who stomp around my head as if they own the place. I'm threatening them with a new broom!
Thursday, 11 November 2010
Publication Day
The Jewel of St Petersburg - today is publication day in the UK. A day of excitement and jangling nerves. A day for cruising the bookshops. Interviews, book-signing, photographs, talks - it's all part of the process of launching a new book. And my publisher, Little, Brown/Sphere, does it with style.
After a solid year of hard work - to be honest, in this case more than a year because I ran wickedly over deadline - it gives me a huge sense of satisfaction to see the book out there on the shelves in all its Russian glory. (On the cover, that's the white marble Jordan staircase from inside the Winter Palace in St Petersburg.)
I have an urge to hug it and pet it when I see its swathe of red on the display tables. But at the same time publication also brings a sense of closure. I can put it behind me and move on - which feels a bit like betrayal, abandoning one child and taking off with another.
I have been asked which of my books I like best and I know my answer will always be the same:- whichever one I'm writing at the moment. I fall in love with my characters and can't imagine my life without them - until the next lot come along. Such is the fickle nature of an author.
But it is also why I enjoyed writing a sequel to The Russian Concubine so much and now this prequel set in the glamorous tsarist times. It meant I could prolong my relationship with Valentina and Lydia and explore what it was that made them the people they became in the later books, as well as indulging once more my passion for Russia.
A flash of red dress and a flick of a page carry me straight back into that turbulent world, so that I have to struggle to detach my mind and immerse myself in the next book which is set in the tumult of Malaya 1941. But I have secret plans to return to Russia - at least one final time. Just don't tell my publisher yet!
Monday, 16 August 2010
Why a Prequel?
A simple answer: when I sat down to write my first book, The Russian Concubine, I had no plans to make it a trilogy. You have to understand that the convoluted processes that go on in an author's brain are mystifying even to an author! I had no idea when I wrote it that Lydia Ivanova would come to play such a large part in my life or that I would fall in love with her beautiful damaged mother, Valentina.
So when I finished the second book - The Concubine's Secret(UK)/The Girl From Junchow(US) which follows Lydia's search for her father - two things kept elbowing out all others in my mind.
1) Firstly, how did Valentina Ivanova become the woman she did? What happened? What gave this private, secretive pianist such strength and yet such crippling weakness?
2) Secondly, what was Russia like to live in before the 1917 Bolshevik Revolution? I had shown Russia during its grim repressive regime under Stalin's communism and now I wanted to show the other side of Russia. The glamorous side. The world of the Russian Court, the most extravagant and decadent in all Europe, with the final days of glory of Nicholas II, Emperor and Tsar of all the Russias.
It sounds a straightforward task, doesn't it? No such luck. I quickly discovered there are even more pitfalls in writing a prequel than in writing a sequel.
Throw-away references to the past in the other two books plagued me and had to be shoe-horned into the new one - which meant two characters both called Nikolai (argh!) and Valentina aged 15 years old when she first met Jens, not 17, as I needed her to be in Jewel (aargh!). Constantly I was tripped up. Harder still was planting in my portrayal of Valentina the seeds of the person she was to become.
Nevertheless I loved writing The Jewel of St Petersburg and exploring Valentina's world, displaying the magnificence of Russia as well as its suffering. Giving a glimpse of how the two are twined inexorably together. So now I shall sit back and keep a sharp eye on Valentina as she flashes her red skirts in the bookstores.
Tuesday, 3 August 2010
JEWEL's Publication Day
Saturday, 17 July 2010
Showtime
Last week I was wined and dined right royally by my publisher, Jo Dickinson, with a whole bunch of the marketing and sales bigwigs from Little Brown UK, along with fellow author, the lovely Bernadette Strachan. The venue was a classy restaurant on the Embankment in London overlooking the Thames - though we were downstairs in a private room. I think they were hiding us away in a wine cellar, not quite trusting authors to behave properly!
They are such a super team at Little Brown UK, I count myself lucky. I assure you that not all publishing houses are as warm and welcoming or go out of their way to make the experience easy for you. Bernie and I managed not to drop gravy over any of them or throw wine over our nextdoor neighbour - which was my cringe-worthy pièce-de-resistance last time I was at a restaurant in London.
Most of the year a writer keeps in regular touch with editors and PR, but it is rare to have the chance of a get-together with the marketing and sales teams. These are the people at the sharp end of book selling. It turned out to be quite an eye-opener at times. Like the fact that they get about one minute to sell your book to the supermarket buyers. Supermarkets are now major players in the book world and it's important to get them on board. But ... one minute?? That takes some pretty fast talking and an ability to push the right buttons straight off. I just had to hug these guys. They do such a fabulous job for me.
So while The Jewel of St Petersburg picks up its skirts and starts dancing, I am now deeply engrossed in Malaya where my next book is set. Fighting my way through steamy heat and jungle, sailing the Malacca Straits, lazing on colonial verandas and knocking back the gin-slings. Oh yes, and there's an occasional Zero or two on the horizon. A far cry from the snowy elegance of St Petersburg. That's the joy of writing - you never know what's coming next.